This novel is being published on this website with the author's permission
“دروازہ۔۔۔کیوں۔۔۔بند کیا۔”ڈر کے مارے اس سے بولنا مشکل ہورہا تھا۔
مرتضی نے ایک نظر اس کے خوفزدہ چہرے کو دیکھا اور قدم اس کی طرف بڑھادیے۔اپنی طرف قدم بڑھاتا دیکھ وہ پیچھے ہٹنے لگی۔یہاں تک کہ وہ دیوار سے جالگی۔
“آپ جائیں یہاں سے ورنہ۔۔۔ورنہ میں شور مچاؤں گی۔”کرن نے کانپتی ہوئی آواز میں کہا۔
“شوق سے مچاؤ شور۔”مرتضی نے اس کے سامنے کھڑے ہوتے ہوئے کہا تو کرن بھاگ کر اس کی سائیڈ سے نکلی اس سے پہلے کہ وہ دروازے تک پہنچتی مرتضی نے اس کا بازو پکڑ لیا اور جھٹکے سے اپنی طرف کھینچا۔وہ اپنا توازن برقرار نہ رکھ سکی اور سیدھا اس کے سینے سے جا ٹکرائی۔
مرتضی نے بازو اس کے گرد لپیٹ کر اس کو اپنے گھیرے میں لے لیا۔کرن نے خود کو چھڑوانے کی کافی کوشش کی لیکن اس کی گرفت کافی سخت تھی۔ڈر اور شرم کے مارے اس کی حالت خراب ہورہی تھی۔جب وہ خود نا چھڑا سکی تو اس نے رونا شروع کردیا۔
“میں تم سے بات کرنے آیا تھا لیکن تم نے تو۔۔۔خیر جو تم کہ چکی ہو وہ ضرورت سے ذیادہ تھا۔اب تک میں نے بہت برداشت کیا ہے حالانکہ یہ میری عادت نہیں لیکن اب مزید نہیں۔۔ہاں تو تم کہ رہی تھی تمہارا میرا کوئی رشتہ نہیں چلو ٹھیک ایسا ہی سہی مگر کاغذ کا تعلق تو ہے نا اور اس حساب سے ہم ہوئے میاں بیوی اور میاں بیوی کا رشتہ تو بہت قریبی ہوتا ہے۔”
اس نے قریبی پہ ذور دے کر کہا۔کرن کو ایسا لگ رہا تھا کہ اس کا دل ابھی باہر آجائے گا۔
“اب تم میری بیوی ہو اور تم پر میرا پورا حق ہے۔مصطفی کی بات پہ اس نے جھٹکے سے سر اٹھا کر اسے دیکھا۔مرتضی کی آنکھوں میں جو نظر آیا اس نے اس کے پورے جسم میں سنسنی پیدا کردی تھی۔”
“آپ ایسا نہیں کرسکتے۔”اس نے روتے ہوئے کہا۔
“میں کچھ بھی کرسکتا ہوں۔”مرتضی نے اپنی گرفت مزید سخت کرتے ہوئے کہا۔
Mariam Aziz's *Murmur Ko Hai Teri Nazar Mein Rehna* is the kind of novel that lodges itself in the reader's chest like a chip — little sufficient to disregard, sharp sufficient to remind you it's there. At its center is a marriage not one or the other party needed, a bolted entryway that gets to be a representation for each boundary approximately to be crossed, and two individuals who have arrived at the same limit carrying totally diverse sorts of damage.
Kiran is not a lady who surrenders effectively. From the to begin with pages of the novel, she is drawn as somebody who has learned to secure herself through words — speedy, cutting, certain — since words were the as it were weapon ever accessible to her. She entered this marriage beneath the weight of circumstances she did not select, and she has went through the early chapters guarding the space between herself and Murtaza with the cautious accuracy of somebody who knows that closeness, in her encounter, has continuously gone before misfortune. Her request that there is no genuine relationship between them is not remorselessness. It is self-preservation dressed in defiance.
Murtaza, for his portion, is a complicated development. He is not the sentimental saint in the conventional sense — or at slightest, not however. He arrives in this scene with tolerance as of now worn lean, carrying something that sits uneasily between injured pride and veritable yearning. He has endured more than his nature customarily licenses, and when that resistance at long last snaps, what rises is not delicacy but control. He comes to for her not the way a man comes to for something he adores but the way a man comes to for something he accepts has a place to him — and that refinement is accurately what makes this novel worth perusing with your eyes completely open.
The scene in address, in which Murtaza locks the entryway and corners Kiran against a divider until she collides with his chest and breaks down into startled tears, is Aziz's most ethically charged set piece. She does not romanticize it, indeed as she renders it in the lavish, candidly pressurized dialect characteristic of Urdu prevalent fiction. Kiran's fear is genuine. Her trembling is genuine. The way her heart debilitates to elude her ribcage is not the vacillate of mystery energy — it is the visceral reaction of a lady who does not feel secure. Aziz is genuine almost this in a way that recognizes her from journalists who dress impelling in the dress of energy and move on without consequence.
What gives the novel its more profound reverberation is the address it denies to reply cheaply: can a relationship built on a lawful record — paper, nothing more — gotten to be something veritable? Murtaza conjures the marriage contract not as a statement of cherish but as a claim of proprietorship, and Kiran knows the contrast. However Aziz is as well talented a essayist to let either character stay inactive. The bolted room is the moo point, not the determination. What takes after in the leftover portion of the novel is a moderate, in some cases agonizing renegotiation — of control, of believe, of what it implies to be genuinely seen by somebody who at first chose to see you as it were as a possession.
The setting, a residential insides changed by pressure into something nearly claustrophobic, is rendered with the kind of air economy that marks Aziz's composition all through. Dividers, arms, entryways — all gotten to be destinations of control or potential discharge. The physical world in this novel mirrors the enthusiastic one with calm insistence.
Kiran's tears at the scene's climax are the enthusiastic pivot on which the whole story turns. She sobs not from shortcoming but since she has run out of other choices, and there is a specific nobility in that fatigue that Aziz captures without wistfulness. It is the minute where the novel stops being approximately strife and starts being approximately two individuals who must choose what kind of human creatures they are willing to ended up for each other.
*Hum Ko Hai Teri Nazar Mein Rehna* wins its put in the convention of Pakistani sentimental fiction not by maintaining a strategic distance from its most awkward minutes but by sitting with them long sufficient to inquire what comes after. For perusers who need a adore story that takes its characters truly — that treats fear as fear and development as truly exorbitant — this is the novel that will remain with you long after the final page.
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Murmur Ko Hai Teri Nazar Mein Rehna Novel By Mariam Aziz is accessible here to download in pdf structure and web based perusing.
Mariam Aziz is a Renowned Condensation Essayist She has written in different popular Urdu Reviews. Perusers will find every last bit of her Books Connection Here with Review Kahani.
"For what reason did you close the entryway?" It was becoming challenging to address him because of dread.
Murtaza investigated her terrified face and made a stride towards her. Seeing him making a stride towards her, she began to step back. She even hit the stopping point.
"You go from here or, more than likely I will make commotion," Kiran said in a shudder voice.
"Make commotion with energy." Murtaza said while remaining before her, Kiran took off from his side before she arrived at the entryway, Murtaza snatched her arm and snapped her towards him. She lost her equilibrium. Couldn't keep up and hit him straight on the chest.
Murtaza folded his arms over him and embraced him. Kiran made a respectable attempt to free himself however his grasp was exceptionally close. His condition was disintegrating because of dread and disgrace. At the point when he didn't free himself. At the point when she could, she began crying.
"I came to converse with you, yet you... Indeed, what you said was more than needed. As of not long ago, I have persevered a great deal, despite the fact that it isn't my propensity, yet not any longer. Indeed, you say." I used to have no relationship with you, so let it be all in all, yet there is a relationship on paper, correct?
He said with accentuation on the closest. Karan felt as though his heart was going to emerge.
"Presently you are my significant other and I have full directly over you. At Mustafa's words, he raised his head and checked out at him with a shock. What he recognized easily created an uproar in his entire body."
"You can't do that," she cried.
"There's nothing that I can't do," Murtaza said, fixing his hold.
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15 Pages · 2024 · 29.52 MB · Urdu
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